it was sitting all alone, in a warehouse. cold and damp. a place every pianist knows a piano should not be.
however,
it was a rescue, so forgiveness is key. a woman had been forced from
her home and a good samaritan happened by at the exact moment her
possessions were being moved. he thought the old upright
intriguing, unique, a piece of history. so, he heaved the monstrous
weight onto his truck, brought it to where the elements would not harm
it and now it sits, quietly, in a warehouse.
i was there on business, and i didn't notice it as first. then i glanced. immediately, i remembered my first ivories.
my mama and daddy, always lacking money but never ingenuity, purchased
an old, reconditioned upright from a man in town. i was around eight
and my mama said i was going to learn to play the piano. it was not
anything this farm girl had in mind, but when mama instructed, i knew
better than to argue.
it was delivered one day while i was
at school. mama and daddy had placed it in the living room, a room that
was never used and always cold. it was the home to daddy's parents' red velvet settee and chairs. they, like the room, were untouched. up
until this point, i used it for day-dreaming. a place where i could go
after dinner, close the door behind me, turn on my record player and
listen to the old 45's i had borrowed from friends. the easter parade mixed with i'm an american band belted by grand funk railroad. i'd pretend i was on stage, singing the most beautiful tune, bowing to the incessant applause from the crowd.
lessons
came first. i don't remember the teacher's name, but i remember
traveling to cornelia, about a 30-minute drive, and walking into this
old brick ranch house and being met by 'her'. she was ancient, wore
matron-like baggy dresses and smelled of moth balls. so did every inch
of her dark-paneled house. the piano room was small, and so was the
piano. not an upright like mine, but a small spinet, slammed tightly
against a wall. on top was the clicker, the metronome, i hated it. she
kept the wrist weights there, too. i hated them even more. she
would sit on the stool next to me, shouting out time and notes, her
breath as rank as dead meat and her fingers as wrinkled as an un-ironed
cotton shirt.
lessons continued and i grumbled every tuesday. for my first recital, i played in my own little corner
because i loved cinderalla and that was her song. i think it was my
song, too. i continued lessons for about three years until finally my
mama couldn't stand my complaints. i persuaded her i could do it on my
own and i promised i would never stop playing. i kept that promise, for
it is there that my love for music was born.
today, i rarely play, but when i do, i never forget that old upright that was bought with my parents' love. i never forget the moments in that vacant room when i was a star.
i swear the piano i discovered in the warehouse belonged to me once-upon-a-time, for i don't know what ever became of mine. i'm
probably wrong, but i like to think my ivories made it through the
years still standing tall and making music. it seems a shame that it
will spend its final days in a warehouse. i might be able to change
that.
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