i had a conversation with a lady this week about stuff.
she and I are about the same age, so i figured who could know more about
stuff than two middle-aged women who had been through children and men
and lived to tell the tale.
she
seemed as disheartened with stuff - a.k.a. car payments,
overly-decorated houses, pricey vacations, unexpected commitments,
shopping for things you didn't need while working at a job you hated,
etc - as I was. things that really make no difference in my well-being
or quality of life.
oh,
make no mistake, there was a time when the right car in the drive-way
meant the difference between living well and barely living. the flashy
metal was in a four-year cycle, trading on and trading up, which also
meant more money each month. but who cared? I had a new car. that's what
i was supposed to do, and boy, did i look great.
now, in my drive-way sits an 11 year old saab that, god-willing, will get me from a to b
without having a stroke. I keep up the maintenance which if I counted
it up would probably equal a car payment - but still, that's random and I
can live with random. i've never had a car this long, but I do fear
the day, when old Bessie just can't belt out another chang-ching.
I would miss her and my trepidation each time i climbed in. we've
developed quite a relationship, and I think, we still have time to
explore more.
people are keeping vehicles longer these days. they aren't as concerned with the froo-froo that
once consumed our lives. there's a joy in simplicity. staying at home,
saying 'no' to things and meetings that really aren't that important.
leaving that charming artifact on the store shelves and asking a second
time, 'is it necessary?'
i
ask that a lot lately. is it necessary? will this make me a better
person? is it worth my time? am I selfish to put myself before what is
expected of me? and this answer to all - is no.
by
the time people reach my age, it is the person staring back in the
mirror who must be the priority. if I can feel good about my decisions,
or lack of ones, I will be just fine.
no
more stuff for me. nothing unless it's absolutely necessary.
simplicity. thoreau had the right idea when he escaped to walden pond -
to live off the land with only the bare necessities. to live
deliberately. to be himself, and not be concerned with what other people
thought he should be.
we would all be better if life included only what we truly needed.
I
was lucky enough to be in the audience at the Key West Literary Seminar
last week when US poet laureate Billy Collins described my life. I'm
sure he didn't know that he did. I'm sure every writer in the auditorium
felt the same connection. We all have our windows, our inspiration, our
place in this world that draws the words to the surface. Mine is on
Mayne, just under the maple tree and parallel to the front porch swing.
This is my window to my world.
The birds are in their trees,
the toast is in the toaster,
and the poets are at their windows.
They are at their windows
in every section of the tangerine of earth-
the Chinese poets looking up at the moon,
the American poets gazing out
at the pink and blue ribbons of sunrise.
The clerks are at their desks,
the miners are down in their mines,
and the poets are looking out their windows
maybe with a cigarette, a cup of tea,
and maybe a flannel shirt or bathrobe is involved.
The proofreaders are playing the ping-pong
game of proofreading,
glancing back and forth from page to page,
the chefs are dicing celery and potatoes,
and the poets are at their windows
because it is their job for which
they are paid nothing every Friday afternoon.
Which window it hardly seems to matter
though many have a favorite,
for there is always something to see-
a bird grasping a thin branch,
the headlights of a taxi rounding a corner,
those two boys in wool caps angling across the street.
The fishermen bob in their boats,
the linemen climb their round poles,
the barbers wait by their mirrors and chairs,
and the poets continue to stare
at the cracked birdbath or a limb knocked down by the wind.
By now, it should go without saying
that what the oven is to the baker
and the berry-stained blouse to the dry cleaner,
so the window is to the poet.
Just think-
before the invention of the window,
the poets would have had to put on a jacket
and a winter hat to go outside
or remain indoors with only a wall to stare at.
And when I say a wall,
I do not mean a wall with striped wallpaper
and a sketch of a cow in a frame.
I mean a cold wall of fieldstones,
the wall of the medieval sonnet,
the original woman's heart of stone,
the stone caught in the throat of her poet-lover.
-Billy Collins
the toast is in the toaster,
and the poets are at their windows.
They are at their windows
in every section of the tangerine of earth-
the Chinese poets looking up at the moon,
the American poets gazing out
at the pink and blue ribbons of sunrise.
The clerks are at their desks,
the miners are down in their mines,
and the poets are looking out their windows
maybe with a cigarette, a cup of tea,
and maybe a flannel shirt or bathrobe is involved.
The proofreaders are playing the ping-pong
game of proofreading,
glancing back and forth from page to page,
the chefs are dicing celery and potatoes,
and the poets are at their windows
because it is their job for which
they are paid nothing every Friday afternoon.
Which window it hardly seems to matter
though many have a favorite,
for there is always something to see-
a bird grasping a thin branch,
the headlights of a taxi rounding a corner,
those two boys in wool caps angling across the street.
The fishermen bob in their boats,
the linemen climb their round poles,
the barbers wait by their mirrors and chairs,
and the poets continue to stare
at the cracked birdbath or a limb knocked down by the wind.
By now, it should go without saying
that what the oven is to the baker
and the berry-stained blouse to the dry cleaner,
so the window is to the poet.
Just think-
before the invention of the window,
the poets would have had to put on a jacket
and a winter hat to go outside
or remain indoors with only a wall to stare at.
And when I say a wall,
I do not mean a wall with striped wallpaper
and a sketch of a cow in a frame.
I mean a cold wall of fieldstones,
the wall of the medieval sonnet,
the original woman's heart of stone,
the stone caught in the throat of her poet-lover.
-Billy Collins